I tend to think of Scorsese as a master of genre films—he’s done gangster films (Goodfellas, Casino), comedy (After Hours, The King of Comedy), police drama (The Departed), psychological thriller (Shutter Island), boxing (Raging Bull), biopic (Kundun, The Aviator, No Direction Home), concert (Shine a Light), historical (Gangs of New York), literary classic (The Age […]
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